Nerdy? Moi?

Posted by Joshua on Apr 21, 2010

I am a d10

Take the quiz at dicepool.com


Nominations for Open Game Table Vol 2. Now Being Accepted

Posted by Joshua on Dec 4, 2009
Per Jonathan Jacobs, he’s starting to accept nominations for posts to be included in the second Open Game Table anthology of RPG blog posts.
The submission deadline for nominations of blog posts closes January 15th, 2010. I’ve streamlined the submission process so that all you need to is submit a valid URL. Up to 5 per submission form can be accomodated; but there’s no limit to how many you can send in. The nomination form, and more information, can be found here
http://rpganthology.wufoo.com/forms/open-game-table-vol-2-blog-post-nomination-form/
I’d be honored if anyone wanted to nominate some of my posts.  Some of the more popular posts are listed to the right, under Notable Posts (the one on Sandbox Play was included in the first volume), but of course I encourage everyone to poke around in the archives.  Actually, I encourage everyone to poke around in the archives whether they want to submit something or not.

The Ghoul’s Shrine

Posted by Joshua on Jul 1, 2009

The Ghoul’s Shrine is my entry in the One-Page Dungeon contest.  It didn’t win anything, a fact which I can ascribe only to blatant favoritism on the part of the judges.

Not really, but anybody who expects me to pass on an opportunity to use a perfectly apropos quote from Tom Lehrer obviously doesn’t know me very well.

It has a couple of amusing features, and I’m glad I took the trouble to enter since it forced me to figure out how to use Chgowiz’s One Page Dungeon templates and the various tools I have to make a semi-decent looking free-hand dungeon map.  But compared to some of the other entries I’ve seen (such as Michael Wolf’s astonishing Horror of Leatherbury House) it’s pretty weaksauce.


Chgowiz Quiz

Posted by Joshua on Jun 13, 2009

These were the answers I gave:

Blogger: Chgowiz’s Old Guy RPG Blog – Post a Comment

I play in three different groups, which meet with varying frequency, one of which has rotating referees, so my answers are somewhat complicated.

1. What are you doing with an original edition/retroclone D&D?

I’m a player in an AD&D+homebrew campaign, and I GM two retroclone-inspired homebrew campaigns, and play in a 3rd edition campaign that’s switching to a homebrew 3e variant.

2. What type of roleplaying game were you playing (or are still playing) before you became interested/involved in an original edition/retroclone?

So I’ve always played in one AD&D campaign, and one 3 campaign

3. If you were playing 3E, why did you decide to investigate/play an original edition game or retroclone?

I still play in a heavily 3e inspired campaign, though I mostly hate the mechanics.

4. If you were playing 4E, why did you decide to investigate/play an original edition game or retroclone?

Don’t play 4e

5. What attracted you to investigate/play an original edition/retroclone D&D?

Always played in one, decided to GM one in honor of Gary Gygax when he died, and decided to continue it w/more homebrew rules.

6. How did you learn about the original editions/retroclones?

The one GM has always had AD&D 1e books, learned about retroclones when searching the web for original edition for Gygax tribute game.

To elaborate a little more:

My friend Mac has always been running an AD&D plus houserules campaign for the past twenty-seven years or so, and I’ve been a player for the past…elevenish?  Russell was a player in the same campaign back in college, though he only gets to play now when he’s visiting.

After Gary Gygax died I wanted to GM an homage game for my other group, which I did (though I used Mentzer’s Basic, so technically not Gary’s actual rules).  I was hoping to turn that game into a “back-up” game for when we didn’t have a quorum of our regular group, something that happens a bit more frequently now that so many of the players have young children.  I wasn’t very satisfied with how it went, mostly because I wasn’t fully back in the mind-set of “rulings not rules.”

I shelved the idea of actually running some kind of retro-clone for a while, but when Mac’s kids started playing D&D we discussed my running a game for them sometimes, because she didn’t want them to develop the bad habit of thinking there was only one way to play D&D based on the way she ran it.  At that point I’d read a lot more of the old school renaissance blogs and thought more about what I liked and disliked about D&D in the old says, so I set out to create house rules that would let me run something along the lines of what Mac was doing (straight ahead dungeon bashing) but that I’d be comfortable with.  I’ve been describing what’s been going on in that game as they explore Amityville Mike’s Stonehell in this blog.

I’ve also started to use that homebrew and setting as the backup game in the regular Rambling Bumblers group.


Which Fantasy Writer Am I?

Posted by Joshua on May 28, 2009

Interesting.  Not the writer I like best or identify with most, but not bad. I like all of Tolkien, Lovecraft and even Lewis better than I do Moorcock, and I loathe Miéville…but my fictional universes are probably a lot more like Moorcock than any of those three.


Your result for Which fantasy writer are you?…

Michael Moorcock (b. 1939)

11 High-Brow, 3 Violent, -5 Experimental and 31 Cynical!

Congratulations! You are High-Brow, Violent, Traditional and Cynical! These concepts are defined below.

Michael Moorcock is one of the most influential fantasy writers of all times, his impact rivalling that of Tolkien’s. Perhaps China Miéville described it best when he said: “I think we are all post-Moorcock.” Apart from being the editor of New Worlds twice in the 60s and 70s, thereby being instrumental in bringing on the so-called “new wave” of science fiction which changed all fantastic literature forever, Moorcock’s own work has been an inspiration to more recent writers. He is also known for not hiding or blunting his views on fiction which he regards as inferior, a trait which has lead him to apply harsh criticism on authors such as J R R Tolkien, C S Lewis an H P Lovecraft.

His most popular work are the Elric books. Elric was originally conceived as a sort of critical comment to or even parody of R E Howard’s Conan, but the character and his world soon grew to form a tragic and somewhat fatalistic drama. Elric’s world is, in turn, only a small part of the huge Multiverse, a set of stories from all sorts of worlds (including our own) which is forever locked in a struggle between the two powers of Law and Chaos. Whenever one of these powers is threatening to become too powerful, an incarnation of the Eternal Champion, a group of warriors possessing the same spirit, is forced to fight to maintain the delicate balance between the two. Moorcock has worked several of his heroes into this cycle of books, including Hawkmoon, Corum and, of course, Elric.

Moorcock’s stories are often stories about warriors, however reluctant they may be, and are usually explicitly violent, even if the purpose of all the hacking and slashing is to free humans and other beings from oppression and, ultimately, fear. There is little happiness, though, for those who are forced to do the fighting and all they can hope for is a short time of respite, sometimes in the town of Tanelorn, the only place in the multiverse that the eternal struggle between Law and Chaos can’t reach.

It should also be mentioned that, even though Moorcock has done quite some experimenting in his days, it can’t be ignored that a major part of his books are traditional adventure stories that become more than that by their inclusion into a grand vision. A little ironically , perhaps, for an author who has criticized the “world-building school” of fantasy, Moorcock achieves much of his popularity through building, if not a world, a world vision.

You are also a lot like China Miéville

If you want something more gentle, try Ursula K le Guin

If you’d like a challenge, try your exact opposite, Katharine Kerr

Your score

This is how to interpret your score: Your attitudes have been measured on four different scales, called 1) High-Brow vs. Low-Brow, 2) Violent vs. Peaceful, 3) Experimental vs. Traditional and 4) Cynical vs. Romantic. Imagine that when you were born, you were in a state of innocence, a tabula rasa who would have scored zero on each scale. Since then, a number of circumstances (including genetic, cultural and environmental factors) have pushed you towards either end of these scales. If you’re at 45 or -45 you would be almost entirely cynical, low-brow or whatever. The closer to zero you are, the less extreme your attitude. However, you should always be more of either (eg more romantic than cynical). Please note that even though High-Brow, Violent, Experimental and Cynical have positive numbers (1 through 45) and their opposites negative numbers (-1 through -45), this doesn’t mean that either quality is better. All attitudes have their positive and negative sides, as explained below.

High-Brow vs. Low-Brow

You received 11 points, making you more High-Brow than Low-Brow. Being high-browed in this context refers to being more fascinated with the sort of art that critics and scholars tend to favour, rather than the best-selling kind. At their best, high-brows are cultured, able to appreciate the finer nuances of literature and not content with simplifications. At their worst they are, well, snobs.

Violent vs. Peaceful

You received 3 points, making you more Violent than Peaceful. Please note that violent in this context does not mean that you, personally, are prone to violence. This scale is a measurement of a) if you are tolerant to violence in fiction and b) whether you see violence as a means that can be used to achieve a good end. If you are, and you do, then you are violent as defined here. At their best, violent people are the heroes who don’t hesitate to stop the villain threatening innocents by means of a good kick. At their worst, they are the villains themselves.
Experimental vs. Traditional

You received -5 points, making you more Traditional than Experimental. Your position on this scale indicates if you’re more likely to seek out the new and unexpected or if you are more comfortable with the familiar, especially in regards to culture. Note that traditional as defined here does not equal conservative, in the political sense. At their best, traditional people don’t change winning concepts, favouring storytelling over empty poses. At their worst, they are somewhat narrow-minded.

Cynical vs. Romantic

You received 31 points, making you more Cynical than Romantic. Your position on this scale indicates if you are more likely to be wary, suspicious and skeptical to people around you and the world at large, or if you are more likely to believe in grand schemes, happy endings and the basic goodness of humankind. It is by far the most vaguely defined scale, which is why you’ll find the sentence “you are also a lot like x” above. If you feel that your position on this scale is wrong, then you are probably more like author x. At their best, cynical people are able to see through lies and spot crucial flaws in plans and schemes. At their worst, they are overly negative, bringing everybody else down.

Author image by Catriona Sparks from http://en.wikipedia.org/wiki/File:Michael_Moorcock.jpg Click for license info.


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